Considering Horror Cinema Ep. 026: What Has Been Hiding in My Attic

Considering the Cinema Ep. 026 - Midsommar and 976-Evil

Don’t whiz on the Sacred Ancestral Tree! Good advice. Anybody who has been listening to Jay of the Dead’s podcasts for awhile knows that there is often content that was recorded months (or even years!) previously before it ever sees the light of day. But that content does eventually get released!

In Episode 026 of Considering Horror Cinema, your late-night Horror host Jason Pyles (aka “Jay of the Dead”) is finally revealing the podcast recordings that have been hiding in his attic! All the reviews in this episode were recorded in 2019. This episode has the longest review ever committed to the film 976-Evil (1989), as Jay of the Dead discusses it with Greg “The Gray Man” Bensch. (It’s about an hour long.) Then Jay does a 75-minute deep-dive discussion of Midsommar (2019) with the oracle Jody Horror Guy (of the Reel Blood Podcast Network) and his unclouded intuition. Jay also gripes a little about the term “Folk Horror” and goes on a lot about the scariest disease ever, Munchausen syndrome by proxy. Jay also brings you solocast reviews of BrightBurn (2019) and The Intruder (2019) and The Perfection (2019) and Friend Request (2017) and The Hunted (2014) and Basement Jack (2009).

If you’re a huge Horror fan, you can view all of Jay’s HORROR ONLY episodes at Considering HORROR Cinema.com. Jay of the Dead also hosts a WEEKLY HORROR PODCAST with BillChete and Lady Phantom at Horror Movie Weekly.com. Thanks for listening to Considering the Cinema Podcast and Considering Horror Cinema, The Dr. Jekyll and Mr. Hyde of Movie Podcasting… Don’t forget: You can email Jay at ConsideringTheCinema@gmail.com or post a comment in the show notes for this episode. Continue reading

Considering the Cinema Horror Movie Review: The Perfection (2019)

By Jay of the Dead

Written Movie Review: The Perfection

There’s a wild little Horror flick that released on Netflix on May 24, 2019. I got up early and watched it that same morning before going to work. It was getting a lot of buzz, and I agree with what everyone says: Watch it before someone spoils it for you.

Rest assured, I will not spoil “The Perfection” for you, so you can feel completely at ease to finish reading this review, spoiler-free.

“The Perfection” stars Allison Williams (the girlfriend in “Get Out”) as Charlotte, a cellist who took a several-year sabbatical away from her blossoming career, in order to help care for her terminally ill mother. As the film opens, we are at the end of her mother’s life, so Charlotte is ready to return to her elite music conservatory, where another fantastic cellist, Elizabeth (Logan Browning), has stepped into Charlotte’s shoes. At this point in the film, only a few minutes in, we can tell two things: Charlotte obviously feels despondent about the detour her life has taken, and it seems that Elizabeth has taken her rightful place and perhaps all her opportunities.

And that is absolutely all I can reveal about the plot of “The Perfection.” The reason I can’t tell you more is “The Perfection” is full of surprises, twists and turns. It is the type of film that redefines itself as it unfolds, thereby redefining our expectations and conclusions about what it is or what it will become. Continue reading