Considering Horror Cinema Ep. 026: What Has Been Hiding in My Attic

Considering the Cinema Ep. 026 - Midsommar and 976-Evil

Don’t whiz on the Sacred Ancestral Tree! Good advice. Anybody who has been listening to Jay of the Dead’s podcasts for awhile knows that there is often content that was recorded months (or even years!) previously before it ever sees the light of day. But that content does eventually get released!

In Episode 026 of Considering Horror Cinema, your late-night Horror host Jason Pyles (aka “Jay of the Dead”) is finally revealing the podcast recordings that have been hiding in his attic! All the reviews in this episode were recorded in 2019. This episode has the longest review ever committed to the film 976-Evil (1989), as Jay of the Dead discusses it with Greg “The Gray Man” Bensch. (It’s about an hour long.) Then Jay does a 75-minute deep-dive discussion of Midsommar (2019) with the oracle Jody Horror Guy (of the Reel Blood Podcast Network) and his unclouded intuition. Jay also gripes a little about the term “Folk Horror” and goes on a lot about the scariest disease ever, Munchausen syndrome by proxy. Jay also brings you solocast reviews of BrightBurn (2019) and The Intruder (2019) and The Perfection (2019) and Friend Request (2017) and The Hunted (2014) and Basement Jack (2009).

If you’re a huge Horror fan, you can view all of Jay’s HORROR ONLY episodes at Considering HORROR Cinema.com. Jay of the Dead also hosts a WEEKLY HORROR PODCAST with BillChete and Lady Phantom at Horror Movie Weekly.com. Thanks for listening to Considering the Cinema Podcast and Considering Horror Cinema, The Dr. Jekyll and Mr. Hyde of Movie Podcasting… Don’t forget: You can email Jay at ConsideringTheCinema@gmail.com or post a comment in the show notes for this episode. Continue reading

Considering the Cinema Horror Movie Review: The Intruder (2019)

By Jay of the Dead

Written Movie Review: The Intruder

I know, I know. So much for principles. I caved and saw “The Intruder” (2019), that crazy Dennis Quaid film which I was publicly boycotting seeing in the theater because its marketing department carelessly revealed story beats from all three acts in the trailer. I won’t start ranting about that again, but I knew that trailer depicted the entire film in microcosm, and after seeing it, I was right. Sure enough, the trailer depicts all three acts, so there are very few surprises.

Many if not most modern-day narrative films are divided up into three acts. For “The Intruder,” the act breaks are so distinctive that the film changes genres with each act: The first act is a Drama. The second act becomes a Thriller. And the third act descends into Horror. Really, it’s a very natural progression because “Drama Is Conflict.” And if you escalate and intensify that conflict until it devolves into violence and death, then the tone changes and it becomes Horror. Therefore, my genre classification for “The Intruder” is Drama / Thriller / Horror, in descending order.

Here’s the Premise: Scott and Annie want to move out of the city and find a nice home where they can start a family. Dennis Quaid plays Charlie, a seller who just wants to make sure his beloved home is purchased by a good family. So, the couple buys Charlie’s house, but the only problem is, Charlie doesn’t seem to want to let it go. Continue reading