Considering Horror Cinema Ep. 010: Trapped Among Beasts Within — A Beastly Freaks Special

Posted on July 17, 2019 by producer

Ready for a Beastly Freaks Special Episode? Hope so. For Episode 010 of Considering Horror Cinema, your late-night Horror host, Jay of the Dead, brings you reviews of Horror movies where victims are Trapped Among Beasts Within! First Jay reviews Alexandre Aja’s new, widespread, creature feature theater release, Crawl (2019), followed by thematically related reviews of Burning Bright (2010) and Bait (2012), as well as some killer croc / killer alligator mini reviews. Jay will also announce the winner of the free Blu-ray of Dead Silence (2007)!

Also, don’t forget to subscribe for free, so you don’t miss this year’s two upcoming “Best of the Decades” shows: Top 10 Horror Movies of the 2010s Decade — and — Top 10 Movies of the 2010s (all genre), slated for late December, early January releases, respectively. Both of these episodes will include panels of guest hosts who will join Jay to bring you the very best of the 2010s decade. These shows will be FREE and only available here through Considering the Cinema Podcast.

Thanks for listening to Considering the Cinema Podcast and Considering Horror Cinema, The Dr. Jekyll and Mr. Hyde of Movie Podcasting… Don’t forget: You can call the new voicemail number at (801) 215-9704 or email Jay at ConsideringTheCinema@gmail.com or post a comment in the show notes for this episode. Continue reading →

Considering Horror Cinema Ep. 006: Taken Children – The Prodigy (2019), The Curse of La Llorona (2019), The Head Hunter (2019)

Posted on May 19, 2019 by producer

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Thanks to a very generous donation by Sean Smith and an inspiring voicemail from Greg “The Gray Man” Bensch, here is an impromptu BONUS episode of Considering Horror Cinema. I am your late-night Horror host, Jay of the Dead, and I have three, brand-new 2019 Horror movies to review for you. Coincidentally, all three films share a common theme of “Taken Children.” That wasn’t planned. It just happened.

During Episode 006, I discuss a notable film that’s a must-see Horror flick this year called The Head Hunter (2019). And I bring you reviews of the wide theater releases, The Prodigy (2019) and The Curse of La Llorona (2019).

For those who join me to consider some Horror cinema, I delve into a few important distinctions. During these reviews I explore the creation of monsters. I also compare and contrast the monstrous motivations of Pamela Voorhees versus those of La Llorona (and why the latter is a problematic character). We’ll also listen to The Gray Man’s voicemail and talk about some 1980s Horror VHS box art. If you dig Horror film criticism, I hope you’ll join me! Thanks for listening. Continue reading →

Considering the Cinema Horror Movie Review: The Curse of La Llorona (2019)

Posted on May 15, 2019 by producer

By Jay of the Dead

Note: If you’d prefer to listen rather than read, here is my audio podcast review. (It starts around the 22-minute mark.)

Before I discuss “The Curse of La Llorona” (2019), I would like to begin this review with a preface about grief-stricken mothers and drowned children. Uplifting, I know. (Oh, and incidentally, for those who don’t speak Spanish, it’s pronounced “La Yo-Roh-Na.”)

Most monsters don’t start out monstrous. They are made monstrous by some terrible experience that happens to them or someone they love. The saddest love songs are always “somebody done somebody wrong” songs. Horror movies are built the same way: Somebody done somebody wrong… Just as vegetation grows out of nutrient-rich volcanic soil, the most potent Horror seems to grow from the fertile aftermath of deep sorrow or deep rage, usually both.

Spoilers for the original “Friday the 13th” (1980) ahead:

All Horror fans know that the slasher killer in the first “Friday the 13th” movie is revealed to be Jason’s mother, Pamela Voorhees. Presumably, she was not always a monster. She only became a monster after her little boy, Jason, drowned in Camp Crystal Lake, due to the negligence of distracted counselors who were too busy “gettin’ busy” to watch her son. Continue reading →

Considering the Cinema Horror Movie Review: The Head Hunter (2019)

Posted on May 9, 2019 by producer

By Jay of the Dead

I am always impressed when filmmakers return back to the basic, fundamental roots of what makes the art of motion pictures so potent. For instance, the well-meaning duo of Danish directors Lars von Trier (“Antichrist,” “The House That Jack Built”) and Thomas Vinterberg created the stringent “Dogme 95 Manifesto” in 1995.

Don’t worry. I won’t launch into a whole big thing, but for those who don’t know: In essence, Dogme 95 dictated that the cinema should be created by using the classic components of story, theme, performance, etc., while eschewing any reliance on the “vulgarity” of special effects or any other modern filmmaking technology. In short, the point was to “get back to the basics,” the bare bones heart of filmmaking, where the director remains free to be an artist without being henpecked by studio interference.

And that odd little preface brings me to a notable 2019 Horror film called “The Head Hunter,” formerly known as “The Head.” (Side note: “The Head Hunter” is an excellent title because its meanings are multi-faceted.) In fact, this film is not just notable for 2019; I would argue that it is also notable for the 2010s decade. “The Head Hunter” was released on April 5, 2019, and it just hit Redbox on May 7. Continue reading →