Considering Horror Cinema Ep. 031: The Rental (2020) and The Pool (2019)

Posted on July 29, 2020 by producer

Jay returns to the movie theater for the first time in 141 days (nearly five months)! To celebrate, in Episode 031 of Considering Horror Cinema, your late-night Horror host Jason Pyles (aka “Jay of the Dead”) brings you two feature reviews of The Rental (2020) and the Thai Survival Horror Beastly Freak flick The Pool (2019). Be advised, you could play a drinking game with how many times Jay of the Dead uses the word “egregious” while reviewing “The Pool.” Jay also recounts his experience of returning to the theater.

If you’re a huge Horror fan, you can view all of Jay’s HORROR ONLY episodes at Considering HORROR Cinema.com. Jay of the Dead also hosts a WEEKLY HORROR PODCAST with BillChete and Lady Phantom at Horror Movie Weekly.com. Thanks for listening to Considering the Cinema Podcast and Considering Horror Cinema, The Dr. Jekyll and Mr. Hyde of Movie Podcasting… Don’t forget: You can email Jay at ConsideringTheCinema@gmail.com or post a comment in the show notes for this episode. Continue reading →

Considering Horror Cinema Ep. 026: What Has Been Hiding in My Attic

Posted on May 18, 2020 by producer

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Don’t whiz on the Sacred Ancestral Tree! Good advice. Anybody who has been listening to Jay of the Dead’s podcasts for awhile knows that there is often content that was recorded months (or even years!) previously before it ever sees the light of day. But that content does eventually get released!

In Episode 026 of Considering Horror Cinema, your late-night Horror host Jason Pyles (aka “Jay of the Dead”) is finally revealing the podcast recordings that have been hiding in his attic! All the reviews in this episode were recorded in 2019. This episode has the longest review ever committed to the film 976-Evil (1989), as Jay of the Dead discusses it with Greg “The Gray Man” Bensch. (It’s about an hour long.) Then Jay does a 75-minute deep-dive discussion of Midsommar (2019) with the oracle Jody Horror Guy (of the Reel Blood Podcast Network) and his unclouded intuition. Jay also gripes a little about the term “Folk Horror” and goes on a lot about the scariest disease ever, Munchausen syndrome by proxy. Jay also brings you solocast reviews of BrightBurn (2019) and The Intruder (2019) and The Perfection (2019) and Friend Request (2017) and The Hunted (2014) and Basement Jack (2009).

Considering Horror Cinema Ep. 009: Child’s Play (2019), Annabelle Comes Home (2019) and an Interview With Ghost Hunter Ross Allison

Posted on June 29, 2019 by producer

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Do you own any creepy dolls, or are you in the market for one? You had better listen to this episode of Considering Horror Cinema first… In Episode 009, your late-night Horror host, Jay of the Dead, brings you reviews of Child’s Play (2019) and Annabelle Comes Home (2019). You’ll also hear a great interview from paranormal researcher and ghost hunter Ross Allison. Jay responds to a listener voicemail from Andrew in West Virginia, and you can also find out how to qualify to win a free Blu-ray of Dead Silence (2007). Thanks for listening to Considering the Cinema Podcast and Considering Horror Cinema, The Dr. Jekyll and Mr. Hyde of Movie Podcasting…

Also, don’t forget to subscribe for free, so you don’t miss this year’s two upcoming “Best of the Decades” shows: Top 10 Horror Movies of the 2010s Decade — and — Top 10 Movies of the 2010s (all genre), slated for late December, early January releases, respectively. Both of these episodes will include panels of guest hosts who will join Jay to bring you the very best of the 2010s decade. These shows will be FREE and only available here through Considering the Cinema Podcast.

Thanks for listening and Considering Horror Cinema! And don’t forget: You can call the new voicemail number at (801) 215-9704 or email Jay at ConsideringTheCinema@gmail.com or post a comment in the show notes for this episode. Continue reading →

Considering the Cinema Horror Movie Review: The Perfection (2019)

Posted on May 27, 2019 by producer

By Jay of the Dead

There’s a wild little Horror flick that released on Netflix on May 24, 2019. I got up early and watched it that same morning before going to work. It was getting a lot of buzz, and I agree with what everyone says: Watch it before someone spoils it for you.

Rest assured, I will not spoil “The Perfection” for you, so you can feel completely at ease to finish reading this review, spoiler-free.

“The Perfection” stars Allison Williams (the girlfriend in “Get Out”) as Charlotte, a cellist who took a several-year sabbatical away from her blossoming career, in order to help care for her terminally ill mother. As the film opens, we are at the end of her mother’s life, so Charlotte is ready to return to her elite music conservatory, where another fantastic cellist, Elizabeth (Logan Browning), has stepped into Charlotte’s shoes. At this point in the film, only a few minutes in, we can tell two things: Charlotte obviously feels despondent about the detour her life has taken, and it seems that Elizabeth has taken her rightful place and perhaps all her opportunities.

And that is absolutely all I can reveal about the plot of “The Perfection.” The reason I can’t tell you more is “The Perfection” is full of surprises, twists and turns. It is the type of film that redefines itself as it unfolds, thereby redefining our expectations and conclusions about what it is or what it will become. Continue reading →

Considering the Cinema Horror Movie Review: Brightburn (2019)

Posted on May 27, 2019 by producer

By Jay of the Dead

“It may sound absurd, but don’t be naive
Even heroes have the right to bleed
I may be disturbed, but won’t you concede
Even heroes have the right to dream
And it’s not easy to be me

Up, up and away, away from me
Well, it’s all right, you can all sleep sound tonight
I’m not crazy
Or anything.”
— Superman (It’s Not Easy) by Five for Fighting

I’ve thought about it many times before. Everyone has. What would we do if Superman went on a rampage — and I don’t mean flicking peanuts at whiskey bottles? We’d all be screwed. Sure, Superman’s one weakness is Kryptonite, but who has that lying around? And even if you had some, how would you ever “use it on him”? I mean, Lex Luther is an evil super-genius, and even he’s had trouble applying the ill effects of the glowing green crystals to the Man of Steel.

“Brightburn” has a great premise for a Horror movie. And since we’re in the midst of a tidal wave of superhero movies, I suppose a movie like “Brightburn” was inevitable. In fact, the cinema has been shifting this direction for some time now with all its anti-heroes, super villains and straight-up monsters: “The Punisher,” “Hellboy,” “Watchmen,” “Deadpool,” “Split” and “Glass,” “Suicide Squad,” “Venom,” “Brightburn,” coming soon “Dark Phoenix,” and in October, “Joker.”

Now with movies like “Split,” “Venom,” “Brightburn,” and “Joker,” we have two phenomena that we really haven’t seen very much previously: An evil super villain’s stand-alone origin story, and a comfortable slide down into the darkness of the Horror genre. Continue reading →

Considering the Cinema Horror Movie Review: The Prodigy (2019)

Posted on May 8, 2019 by producer

By Jay of the Dead

I have gained a little notoriety for suggesting the notion that I could handily dispatch the nefarious ankle-biters that play the “monsters” of Evil Kid Movies. My good friend, Dave “Dr. Shock” Becker, has often retorted and rebuffed my claims by arguing that evil kids catch their parents unawares, due to a presumption of innocence and harmlessness. (But I don’t care. I still watch my wily offspring with at least one suspicious eye, if not two.)

Dr. Shock’s assertion proves to be correct in “The Prodigy,” an ostensible Evil Kid Movie that was released in theaters on Feb. 8, 2019 (with a respectable, nine-week run, by the way), and then was released on video and at Redbox yesterday, May 7, 2019.

“The Prodigy” was directed by Nicholas McCarthy, a Horror director who also helmed “The Pact” (2012), “At the Devil’s Door” (2014) and the “Easter” segment of “Holidays” (2016). This film was written by Jeff Buhler, who wrote “Insanitarium” (2008), “The Midnight Meat Train” (2008), the “J Is for Jesus” segment of “ABCs of Death 2” (2014) and the most recent “Pet Sematary” (2019) remake. Continue reading →