Considering Horror Cinema Ep. 026: What Has Been Hiding in My Attic

Posted on May 18, 2020 by producer

Don’t whiz on the Sacred Ancestral Tree! Good advice. Anybody who has been listening to Jay of the Dead’s podcasts for awhile knows that there is often content that was recorded months (or even years!) previously before it ever sees the light of day. But that content does eventually get released!

In Episode 026 of Considering Horror Cinema, your late-night Horror host Jason Pyles (aka “Jay of the Dead”) is finally revealing the podcast recordings that have been hiding in his attic! All the reviews in this episode were recorded in 2019. This episode has the longest review ever committed to the film 976-Evil (1989), as Jay of the Dead discusses it with Greg “The Gray Man” Bensch. (It’s about an hour long.) Then Jay does a 75-minute deep-dive discussion of Midsommar (2019) with the oracle Jody Horror Guy (of the Reel Blood Podcast Network) and his unclouded intuition. Jay also gripes a little about the term “Folk Horror” and goes on a lot about the scariest disease ever, Munchausen syndrome by proxy. Jay also brings you solocast reviews of BrightBurn (2019) and The Intruder (2019) and The Perfection (2019) and Friend Request (2017) and The Hunted (2014) and Basement Jack (2009).

If you’re a huge Horror fan, you can view all of Jay’s HORROR ONLY episodes at Considering HORROR Cinema.com. Jay of the Dead also hosts a WEEKLY HORROR PODCAST with BillChete and Lady Phantom at Horror Movie Weekly.com. Thanks for listening to Considering the Cinema Podcast and Considering Horror Cinema, The Dr. Jekyll and Mr. Hyde of Movie Podcasting… Don’t forget: You can email Jay at ConsideringTheCinema@gmail.com or post a comment in the show notes for this episode. Continue reading →

Considering the Cinema Ep. 020: Gretel and Hansel (2020), The Rhythm Section (2020), Just Mercy (2020)

Posted on February 18, 2020 by producer

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Welcome to Considering the Cinema, Episode 020. Your late-night host Jason Pyles (aka “Jay of the Dead”) brings you a few Feature Reviews of some 2020 new releases, including Gretel and Hansel (2020) — with special guest Mack Robins, as well as solo reviews of The Rhythm Section (2020) and Just Mercy (2020). Mack is the director of the short film Unseen. And of course, Jason also brings you some Mini Reviews of what he’s been watching lately. Enjoy!

Thanks for listening to Considering the Cinema Podcast and Considering Horror Cinema, The Dr. Jekyll and Mr. Hyde of Movie Podcasting… Don’t forget: You can call the new voicemail number at (801) 215-9704 or email Jason at ConsideringTheCinema@gmail.com or post a comment in the show notes for this episode. Continue reading →

Considering the Cinema Ep. 019: The Gentlemen (2020), The Turning (2020), Movie Shaming and High Noon (1952)

Posted on January 31, 2020 by producer

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Welcome to Considering the Cinema, Episode 019, in which your late-night host Jason Pyles (aka “Jay of the Dead”) brings you reviews of the 2020 new releases, The Gentlemen (2020) and The Turning (2020). Jason also welcomes filmmaker Mack Robins, director of the short film Unseen, to discuss Movie Shaming and High Noon (1952). And of course, Jason also brings you some Mini Reviews of what he’s been watching lately, including an overview of The Sopranos TV series. Don’t forget to check out Considering the Cinema’s new Episode Archive!

Considering the Cinema Ep. 018: Bad Boys for Life (2020), VHYes (2020), Best Picture Nominees Overview, and Video Store Nostalgia With Dr. Shock

Posted on January 23, 2020 by producer

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Bad boys! Bad boys! Whatcha gonna do? After a 17-year hiatus, we finally get the third (and presumably, the final) installment of the Will Smith / Martin Lawrence buddy cop action trilogy with Bad Boys for Life (2020). You have the right to remain silent and listen to Episode 018 of the Considering the Cinema podcast, featuring your host, Jason Pyles (aka “Jay of the Dead”). During this show, Jay also reviews VHYes (2020). You will also get to hear another interview with Dave “Dr. Shock” Becker of DVD Infatuation.com. Jay and Dave talk about their nostalgic memories of the VHS video rental store days. Also, Jason brings you a great overview of the Best Picture nominees! One more thing: Considering the Cinema has a new Episode Archive! Check it out!

Considering the Cinema Ep. 017: Underwater (2020), 1917 (2020) and Dave Becker’s 2,500 Movie Challenge Retrospective

Posted on January 14, 2020 by producer

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It’s the second weekend of 2020, and the theaters have some worthy offerings already! In Episode 017 of Considering the Cinema, your host, Jason Pyles (aka “Jay of the Dead”) brings you a glowing review of 1917 (2020), as well as a less enthusiastic review of Underwater (2020). This episode also gives you Jay’s quick 2 cents on the 2020 Oscar nominations. You can also hear Jay’s mini reviews of The Lighthouse (2019) and Jojo Rabbit (2019). And the crowning jewel of this episode is Jason’s follow-up interview with Dave “Dr. Shock” Becker as he reflects on completing his 8-year feat, the 2,500 Movie Challenge at DVD Infatuation.com. Enjoy!

The 92nd Academy Award Nominees

Posted on January 13, 2020 by producer

Early this morning the Academy of Motion Picture Arts and Sciences announced its nominees for the 92nd Academy Awards. The ceremony will be broadcast on Sunday, Feb. 9, 2020, on ABC.

Best Picture
1917
Ford v Ferrari
Jojo Rabbit
Joker
Little Women
Marriage Story
Parasite
Once Upon a Time… in Hollywood
The Irishman Continue reading →

Considering Horror Cinema Ep. 013: Jay of the Dead’s Top 10 Horror Movies of 2019

Posted on December 24, 2019 by producer

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Merry Christmas! After a long, four-month hiatus, your favorite late-night Horror host Jay of the Dead is back with a vengeance in Episode 013 of Considering Horror Cinema. During this epic episode, you will hear Jay of the Dead’s Top 10 Horror Movies of 2019 with help from special guest Lady Phantom of Horror Movie Weekly.com. You will also hear Jay’s Horror Honorable Mentions of 2019, The Most Disturbing Movie Jay Saw in 2019, Horror Guilty Pleasure of 2019, 2019’s Pleasant Surprises / Better Than Expected, Most Overrated Horror Movies of 2019, Biggest Disappointment / Heartbreaks in 2019 Horror, Jay’s Personal Least Favorite Horror Movie of 2019, and a few of our Most Anticipated Horror Movies of 2020.

And releasing very soon in Episode 014: The Top 10 Horror Movies of the 2010s Decade with GregaMortis and Ron Martin. Thanks for listening to Considering the Cinema Podcast and Considering Horror Cinema, The Dr. Jekyll and Mr. Hyde of Movie Podcasting… Continue reading →

Considering the Cinema Ep. 012: Once Upon a Time in Hollywood … and Rochester

Posted on August 5, 2019 by producer

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Welcome to Episode 012 of Considering the Cinema. During this show, your host, Jason Pyles welcomes four different guests. Dave “Dr. Shock” Becker helps Jason review a new documentary called Mac and Cheese: Road to Queso (2019). Then Jason welcomes his old co-hosts from Movie Podcast Weekly (Andy, Karl and William) to help him review Quentin Tarantino’s newest film, Once Upon a Time … in Hollywood (2019). We discuss the recent loss of Rutger Hauer and provide a Mini Review of The Art of Self-Defense (2019). You’ll also hear listener feedback voicemails from Raul and The Gray Man, and this episode has three prize-giveaways. Join us!

Don’t forget to subscribe for free, so you don’t miss this year’s two upcoming “Best of the Decades” shows: Top 10 Horror Movies of the 2010s Decade — and — Top 10 Movies of the 2010s (all genre), slated for late December, early January releases, respectively. Both of these episodes will include panels of guest hosts who will join Jay to bring you the very best of the 2010s decade. These shows will be FREE and only available here through Considering the Cinema Podcast.

Considering Horror Cinema Ep. 010: Trapped Among Beasts Within — A Beastly Freaks Special

Posted on July 17, 2019 by producer

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Ready for a Beastly Freaks Special Episode? Hope so. For Episode 010 of Considering Horror Cinema, your late-night Horror host, Jay of the Dead, brings you reviews of Horror movies where victims are Trapped Among Beasts Within! First Jay reviews Alexandre Aja’s new, widespread, creature feature theater release, Crawl (2019), followed by thematically related reviews of Burning Bright (2010) and Bait (2012), as well as some killer croc / killer alligator mini reviews. Jay will also announce the winner of the free Blu-ray of Dead Silence (2007)!

Also, don’t forget to subscribe for free, so you don’t miss this year’s two upcoming “Best of the Decades” shows: Top 10 Horror Movies of the 2010s Decade — and — Top 10 Movies of the 2010s (all genre), slated for late December, early January releases, respectively. Both of these episodes will include panels of guest hosts who will join Jay to bring you the very best of the 2010s decade. These shows will be FREE and only available here through Considering the Cinema Podcast.

Thanks for listening to Considering the Cinema Podcast and Considering Horror Cinema, The Dr. Jekyll and Mr. Hyde of Movie Podcasting… Don’t forget: You can call the new voicemail number at (801) 215-9704 or email Jay at ConsideringTheCinema@gmail.com or post a comment in the show notes for this episode. Continue reading →

Considering Horror Cinema Ep. 009: Child’s Play (2019), Annabelle Comes Home (2019) and an Interview With Ghost Hunter Ross Allison

Posted on June 29, 2019 by producer

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Do you own any creepy dolls, or are you in the market for one? You had better listen to this episode of Considering Horror Cinema first… In Episode 009, your late-night Horror host, Jay of the Dead, brings you reviews of Child’s Play (2019) and Annabelle Comes Home (2019). You’ll also hear a great interview from paranormal researcher and ghost hunter Ross Allison. Jay responds to a listener voicemail from Andrew in West Virginia, and you can also find out how to qualify to win a free Blu-ray of Dead Silence (2007). Thanks for listening to Considering the Cinema Podcast and Considering Horror Cinema, The Dr. Jekyll and Mr. Hyde of Movie Podcasting…

Thanks for listening and Considering Horror Cinema! And don’t forget: You can call the new voicemail number at (801) 215-9704 or email Jay at ConsideringTheCinema@gmail.com or post a comment in the show notes for this episode. Continue reading →

Considering the Cinema Movie Review: Aladdin (2019)

Posted on May 28, 2019 by producer

By Jason Pyles

Just a quick, random note about this side-by-side artwork comparison: I was going to comment on this on Twitter, but I honestly didn’t have the energy. (Besides, Adam Frazier @AdamFrazier on Twitter, ended up doing it for me.) What can be said, really? Studios continually try to ride the wave of other successful films by emulating and imitating their poster art — down to every little detail, even color scheme — trying everything they can to strike gold again. It’s really a non-story, but I must admit that I noticed it instantly when I first saw this “Aladdin” poster art.

By way of preface, my family revisited the original, animated “Aladdin” from (1992) — on VHS, no less — just two days before seeing the new live-action version. And I should also mention up front that I have been a Will Smith fan since about 1988, even before his TV show, because I bought his cassette tape of “He’s the DJ, I’m the Rapper.” I’ve been supporting Will Smith (as much as possible) ever since, though “After Earth” even pushed my limits.

Having said all of the above, following in the footsteps of Robin Williams to reprise this genie role is a thankless and futile endeavor. Will Smith does a fine job as the genie, don’t get me wrong, but nobody’s going to give him much credit, regardless of how good his performance is. The world would never let anyone top Robin Williams’ genie performance, especially now that he’s gone and under such tragic circumstances. It would be like remaking “Citizen Kane.” It’s a fool’s errand. Continue reading →

Considering the Cinema Horror Movie Review: The Perfection (2019)

Posted on May 27, 2019 by producer

By Jay of the Dead

There’s a wild little Horror flick that released on Netflix on May 24, 2019. I got up early and watched it that same morning before going to work. It was getting a lot of buzz, and I agree with what everyone says: Watch it before someone spoils it for you.

Rest assured, I will not spoil “The Perfection” for you, so you can feel completely at ease to finish reading this review, spoiler-free.

“The Perfection” stars Allison Williams (the girlfriend in “Get Out”) as Charlotte, a cellist who took a several-year sabbatical away from her blossoming career, in order to help care for her terminally ill mother. As the film opens, we are at the end of her mother’s life, so Charlotte is ready to return to her elite music conservatory, where another fantastic cellist, Elizabeth (Logan Browning), has stepped into Charlotte’s shoes. At this point in the film, only a few minutes in, we can tell two things: Charlotte obviously feels despondent about the detour her life has taken, and it seems that Elizabeth has taken her rightful place and perhaps all her opportunities.

And that is absolutely all I can reveal about the plot of “The Perfection.” The reason I can’t tell you more is “The Perfection” is full of surprises, twists and turns. It is the type of film that redefines itself as it unfolds, thereby redefining our expectations and conclusions about what it is or what it will become. Continue reading →

Considering the Cinema Horror Movie Review: Brightburn (2019)

Posted on May 27, 2019 by producer

By Jay of the Dead

“It may sound absurd, but don’t be naive
Even heroes have the right to bleed
I may be disturbed, but won’t you concede
Even heroes have the right to dream
And it’s not easy to be me

Up, up and away, away from me
Well, it’s all right, you can all sleep sound tonight
I’m not crazy
Or anything.”
— Superman (It’s Not Easy) by Five for Fighting

I’ve thought about it many times before. Everyone has. What would we do if Superman went on a rampage — and I don’t mean flicking peanuts at whiskey bottles? We’d all be screwed. Sure, Superman’s one weakness is Kryptonite, but who has that lying around? And even if you had some, how would you ever “use it on him”? I mean, Lex Luther is an evil super-genius, and even he’s had trouble applying the ill effects of the glowing green crystals to the Man of Steel.

“Brightburn” has a great premise for a Horror movie. And since we’re in the midst of a tidal wave of superhero movies, I suppose a movie like “Brightburn” was inevitable. In fact, the cinema has been shifting this direction for some time now with all its anti-heroes, super villains and straight-up monsters: “The Punisher,” “Hellboy,” “Watchmen,” “Deadpool,” “Split” and “Glass,” “Suicide Squad,” “Venom,” “Brightburn,” coming soon “Dark Phoenix,” and in October, “Joker.”

Now with movies like “Split,” “Venom,” “Brightburn,” and “Joker,” we have two phenomena that we really haven’t seen very much previously: An evil super villain’s stand-alone origin story, and a comfortable slide down into the darkness of the Horror genre. Continue reading →

Considering the Cinema Horror Movie Review: The Intruder (2019)

Posted on May 26, 2019 by producer

By Jay of the Dead

I know, I know. So much for principles. I caved and saw “The Intruder” (2019), that crazy Dennis Quaid film which I was publicly boycotting seeing in the theater because its marketing department carelessly revealed story beats from all three acts in the trailer. I won’t start ranting about that again, but I knew that trailer depicted the entire film in microcosm, and after seeing it, I was right. Sure enough, the trailer depicts all three acts, so there are very few surprises.

Many if not most modern-day narrative films are divided up into three acts. For “The Intruder,” the act breaks are so distinctive that the film changes genres with each act: The first act is a Drama. The second act becomes a Thriller. And the third act descends into Horror. Really, it’s a very natural progression because “Drama Is Conflict.” And if you escalate and intensify that conflict until it devolves into violence and death, then the tone changes and it becomes Horror. Therefore, my genre classification for “The Intruder” is Drama / Thriller / Horror, in descending order.

Here’s the Premise: Scott and Annie want to move out of the city and find a nice home where they can start a family. Dennis Quaid plays Charlie, a seller who just wants to make sure his beloved home is purchased by a good family. So, the couple buys Charlie’s house, but the only problem is, Charlie doesn’t seem to want to let it go. Continue reading →

Considering Horror Cinema Ep. 006: Taken Children – The Prodigy (2019), The Curse of La Llorona (2019), The Head Hunter (2019)

Posted on May 19, 2019 by producer

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Thanks to a very generous donation by Sean Smith and an inspiring voicemail from Greg “The Gray Man” Bensch, here is an impromptu BONUS episode of Considering Horror Cinema. I am your late-night Horror host, Jay of the Dead, and I have three, brand-new 2019 Horror movies to review for you. Coincidentally, all three films share a common theme of “Taken Children.” That wasn’t planned. It just happened.

During Episode 006, I discuss a notable film that’s a must-see Horror flick this year called The Head Hunter (2019). And I bring you reviews of the wide theater releases, The Prodigy (2019) and The Curse of La Llorona (2019).

For those who join me to consider some Horror cinema, I delve into a few important distinctions. During these reviews I explore the creation of monsters. I also compare and contrast the monstrous motivations of Pamela Voorhees versus those of La Llorona (and why the latter is a problematic character). We’ll also listen to The Gray Man’s voicemail and talk about some 1980s Horror VHS box art. If you dig Horror film criticism, I hope you’ll join me! Thanks for listening. Continue reading →

Considering the Cinema Horror Movie Review: The Curse of La Llorona (2019)

Posted on May 15, 2019 by producer

By Jay of the Dead

Note: If you’d prefer to listen rather than read, here is my audio podcast review. (It starts around the 22-minute mark.)

Before I discuss “The Curse of La Llorona” (2019), I would like to begin this review with a preface about grief-stricken mothers and drowned children. Uplifting, I know. (Oh, and incidentally, for those who don’t speak Spanish, it’s pronounced “La Yo-Roh-Na.”)

Most monsters don’t start out monstrous. They are made monstrous by some terrible experience that happens to them or someone they love. The saddest love songs are always “somebody done somebody wrong” songs. Horror movies are built the same way: Somebody done somebody wrong… Just as vegetation grows out of nutrient-rich volcanic soil, the most potent Horror seems to grow from the fertile aftermath of deep sorrow or deep rage, usually both.

Spoilers for the original “Friday the 13th” (1980) ahead:

All Horror fans know that the slasher killer in the first “Friday the 13th” movie is revealed to be Jason’s mother, Pamela Voorhees. Presumably, she was not always a monster. She only became a monster after her little boy, Jason, drowned in Camp Crystal Lake, due to the negligence of distracted counselors who were too busy “gettin’ busy” to watch her son. Continue reading →

Considering the Cinema Movie Review: Pokémon Detective Pikachu (2019)

Posted on May 12, 2019 by producer

By Jason Pyles

I can accept that “Pokémon Detective Pikachu” was not made for me. I’m older than most Pokémon hunters or whatever you call people who do such things. Therefore, I’ll confess right up front that I know nothing about this universe.

In fact, when I first heard of this film, I was very dismissive and even annoyed. But then my buddy Ryan told me to watch the trailer because I would be surprised by how “not terrible” it looks. To my shock, he was right! And the fact that Ryan Reynolds (“Deadpool”) was voicing Pikachu was another feather in this film’s cap, so to speak.

Even so, I probably would not have seen this movie. But I’m a dad, so I took my two kids and had a great time. Sure, there’s something to be said for seeing a movie when you’re in a great mood and already having a great day after some Chinese food, Wendy’s, movie shopping, and of course, Dairy Queen.

Sometimes when I read a Roger Ebert review where he seemed grouchy and incredibly dismissive, I just assume that he saw the film when he was tired or hungry or already having a terrible day. (This might not be true at all. But because I believe this, I am very mindful and careful about allowing my mood to affect my opinion of a movie.) Continue reading →

Considering the Cinema Horror Movie Review: The Head Hunter (2019)

Posted on May 9, 2019 by producer

By Jay of the Dead

I am always impressed when filmmakers return back to the basic, fundamental roots of what makes the art of motion pictures so potent. For instance, the well-meaning duo of Danish directors Lars von Trier (“Antichrist,” “The House That Jack Built”) and Thomas Vinterberg created the stringent “Dogme 95 Manifesto” in 1995.

Don’t worry. I won’t launch into a whole big thing, but for those who don’t know: In essence, Dogme 95 dictated that the cinema should be created by using the classic components of story, theme, performance, etc., while eschewing any reliance on the “vulgarity” of special effects or any other modern filmmaking technology. In short, the point was to “get back to the basics,” the bare bones heart of filmmaking, where the director remains free to be an artist without being henpecked by studio interference.

And that odd little preface brings me to a notable 2019 Horror film called “The Head Hunter,” formerly known as “The Head.” (Side note: “The Head Hunter” is an excellent title because its meanings are multi-faceted.) In fact, this film is not just notable for 2019; I would argue that it is also notable for the 2010s decade. “The Head Hunter” was released on April 5, 2019, and it just hit Redbox on May 7. Continue reading →

Considering the Cinema Horror Movie Review: The Prodigy (2019)

Posted on May 8, 2019 by producer

By Jay of the Dead

I have gained a little notoriety for suggesting the notion that I could handily dispatch the nefarious ankle-biters that play the “monsters” of Evil Kid Movies. My good friend, Dave “Dr. Shock” Becker, has often retorted and rebuffed my claims by arguing that evil kids catch their parents unawares, due to a presumption of innocence and harmlessness. (But I don’t care. I still watch my wily offspring with at least one suspicious eye, if not two.)

Dr. Shock’s assertion proves to be correct in “The Prodigy,” an ostensible Evil Kid Movie that was released in theaters on Feb. 8, 2019 (with a respectable, nine-week run, by the way), and then was released on video and at Redbox yesterday, May 7, 2019.

“The Prodigy” was directed by Nicholas McCarthy, a Horror director who also helmed “The Pact” (2012), “At the Devil’s Door” (2014) and the “Easter” segment of “Holidays” (2016). This film was written by Jeff Buhler, who wrote “Insanitarium” (2008), “The Midnight Meat Train” (2008), the “J Is for Jesus” segment of “ABCs of Death 2” (2014) and the most recent “Pet Sematary” (2019) remake. Continue reading →